Chasing the Light, Stories

Murmur

A writing exercise done during a Bath Writers: Beyond the Margins meeting…

Someone let the cat out in the rain. Or did it leave by itself? Doing what most people at the Broken Institute could not do. The cat stepped reluctantly onto the wet grass. Its white persian fur was covered in hard dents of rain. It shivered, but stepped forward.

Soon the windows of the building were filled with faces. Porcelain faces of people wrung with regret. Their hands flattened against the glass. One red haired lady mouthed the word ‘Murmur’. She was dressed in her lavender nightgown at four in the afternoon. ‘Come back!’ she whispered.

Her eyes were swollen from the tears she had cried in the morning. But Murmur had comforted her then. The cat would come to each room, to be stroked. It would start with her, Lorelei, and then walk to each of her neighbours. From morning till dusk Murmur was the sole comforter. It would hear each sigh, and wipe even the smallest tear away. It would listen to stories of woe, of lost children, of burnt down houses or harsh words, spoken at a wrong time.

At night, Murmur would rest by the fireplace, where it could lay aside the worries of the day. But now someone had let the cat out. Or maybe it left by itself. Maybe it thought people could comfort each other. Or at least step out into the rain.

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Formal and Polite, Poetry

The Shiny Shoes

Hubert Rhubarb makes great shoes
Of all sizes, shines and soles,
Him, George Ginger and Bob Booze,
Are co-craftsmen at “Stuffed Holes”.

They’re all shoeglots from the Shoeglot clan
With round noses, crass hands and tiny feet,
They shuffle quickly with their plan,
To make bright shoes for King Plum’s fleet.

Hubert Rhubarb was ordered by the king
To make the brightest shoes of all,
‘My men’s feet should sparkle as this ring,
When sailing back with the victory call’.

On the day of King Plum’s battle
The men shone bright from head to toe.
They were so proud they caused a rattle
Competing in whose shoes had the best glow.

The enemy fleet of King Pomhen
Sailed anxiously to meet its doom,
But seeing the distracted men
They shook off their prior gloom.

King Plum’s soldiers stared at their shoes
Flinging their swords round without aim,
Neither brother nor king made such great muse
As gawping at their feet, bent, without shame.

The king returned with a dozen men
Weeping that their feet were bare
The king wrote to “Stuffed Holes” again
‘From now, dull shoes are my men to wear.’

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Chasing the Light, Stories, Thoughts About Life

The Songs of Birds

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God gave the sweetest melody to the smallest of birds. A cluster of goldcrests fly from branch to branch. Their little tails shake with anticipation, while their beaks are picking at the sweet flowers. Ah and the tree, a magnificent giant covered in ivy! I can’t even see its trunk or begin to decide what family of trees it belongs to. It stands there, with its crooked branches pleading to the heavens. Covered in parasitic veins and leaves, it breathes heavily. The bark bleeds under the tight grip of the ivy, but it still finds love for the little creatures that play amongst its withered forms.

The tree reminds me of a man, whose once rich possessions have succumbed to decay and misfortune. His status, albeit stained by wretched gossip, strains to stay afloat. He sits on a chest in the middle of his once grand, now empty, ballroom. His eyes close with delight as the soft voices of songs once sung there caress his soul. ‘I have lost my worldly glory.’ he whispers. ‘I have seen the cruelty of man at its peak and have tasted the bitterness of poisonous lips!’

‘Alas’, he sighs, ‘But I cannot forget the beauty of man’s soul when he loves. And when one loves, one sings! I shall have one last ball here, with the last of my earthly possessions. Let the grandest singers and musicians come and share their tunes! And after everyone has heard their songs and got their fill of gladness, I shall go into the world happy. Poor in my attire, but rich in my heart.’

Such is this tree as it listens to the goldcrests and black birds nesting in its wounds. For this tree is wiser than me. It bears its pain with patience, listening for what rings true and lets it rest on its shoulders. It does not shake the winged messengers away, but rejoices in their gifts. The tree knows that its roots are deep inside the earth and that the ivy is tight around its neck. It also knows that the songs of birds speak of a world it cannot yet see, but whose beauty and truth bring a promise of freedom.

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Animation, Character Essences, Research & Coding

E-StopMotion

Digitizing stop motion animation has been my Engineering Doctorate project for the past three years. The aim was to simplify the workload for artists and offer them tools to bring their handmade creations in a 3D environment. The following video shows a simple pipeline for digitizing characters from the game Clay Jam, by Fat Pebble. This is now published work and open for film and game companies to use.

Publications

[1] Anamaria Ciucanu, Naval Bhandari, Xiaokun Wu, Shridhar Ravikumar​, Yong-Liang Yang, Darren Cosker. 2018. E-StopMotion: Digitizing Stop Motion for Enhanced Animation and Games. In MIG 18: Motion, Interaction and Games (MIG 18), November 8-10, 2018, Limassol, Cyprus. ACM, New York, USA, 11 pages.  [PDF]

 

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Hellidropter says Hi!

Abstract

Nonrigid registration has made great progress in recent years, taking more steps towards matching characters that have undergone non-isometric deformations. The state-of-the-art is, however,still linked more to elastic or locally shape preserving matching, leaving room for improvement in the plastic deformation area.
When the local and global shape of a character changes significantly from pose to pose, methods that rely on shape analysis or proximity measures fail to give satisfying results.
We argue that by using information about the material the models are made from and the general deformation path, we can enhance the matches significantly. Hence, by addressing mainly plasticine characters, we attempt to reverse engineer the deformations they undergo in the hands of an artist.
We propose a mainly extrinsic technique, which makes use of the physical properties we can control (stiffness, volume) to give a realistic match. Moreover, we show that this approach overcomes limitations from previous related methods by generating physically plausible intermediate poses, which can be used further in the animation pipeline.

Project Links

You can follow the research progress on Vimeo and GitHub. This is a work in progress project, in collaboration with the Centre for Digital Entertainment at University of Bath and Fat Pebble, under the supervision of Darren Cosker.

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Acting & Improv

CORE Improv Theatre Course

Character. Objective. Relationship. Environment

If we treat each other as if we are geniuses, poets, and artists, we have a better chance of becoming that on-stage.” (Del Close)

Who: 
Anamaria Ciucanu
(anamaria.ciucanu@gmail.com)

anaonpier

Anamaria

When:
Fridays 10th of May – 28th of June
19:00 – 21:00
(!) Dates might change after taster session,
depending on room availability.

Where:
New Oriel Hall in Larkhall, Bath
Small Studio

How much:
[1] FREE taster on the 10th of May!
[2] Pay as you go 10£/7£ (cons*) per class
[3] Pay for all 7 weeks in one go 55£/40£ (cons)
(!) Offer [3] is the best value for money, plus you get to be in a show for family and friends at the end.
(!) cons* = students, unemployed, low income, retired

What:
Week 1 – FREE Taster Class
Subtheme: Yes and! (Acceptance)
Date: 10th of May 2019

Week 2 – Character 
Subtheme: Letting go of the fear of failure!
Date: 17th of May 2019

Week 3 – Objective
Subtheme: Listening
Date: 24th of May 2019

Week 4 – Relationship
Subtheme: Taking care of each other
Date: 31st of May 2019

Week 5 – Environment
Subtheme: Object work
Date: 7th of June 2019

Week 6 – Practice Class
Subtheme: Jump and justify!
Date: 14th of June 2019

Week 7 – Practice Class
Subtheme: Go deeper, find your why.
Date: 21st of June 2019

Week 8 – Show for Family and Friends
Subtheme: TBD
Date: 28th of June 2019

(!) Each class is self-contained, but people are encouraged to attend as many as possible to feel an improvement.

Who is it for?
CORE Improv is intended for beginners and those who want to hone their skills in the improv craft. People that struggle with anxiety, who want to enhance their spontaneity, confidence and creativity are especially welcome!

More Details:
Improv is a form of theatre without a script. Improvisers create characters and stories on the spot with their fellow actors. Simple techniques like “Yes and”, listening, collaboration and commitment are often used to make laughter and mystery appear out of thin air. Some of the pioneers of this artform are Keith Johnstone, Viola Spolin and Del Close. Their methods influenced the way I learnt and teach improv techniques. See https://anamariaciucanu.com/storytelling/ for a list of all my more modern influences, as well as teachers that shaped me along the way.

This course is a set of 8 self-contained classes, spanned over 8 weeks, starting with a FREE taster class! It is a journey through the realm of improvised theatre, with a strong focus on short form scenes, characters and storytelling. Although not specifically designed as a comedy course, you’ll find that laughter springs often from our interactions and wild ideas.

The acronym CORE stands for the building blocks of any good story: character (who?), objective (what?), relationship (why?), environment (where?). It can also be a metaphor for working on your core creativity muscles. This is pilates for your mind!

“There are no mistakes, just opportunities,” (Tina Fey)  

“as long as everyone is having fun.” (me)  

(!) Click here to see all of my improv related projects and testimonials.

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Chasing the Light, Thoughts About Life

Pebbles in the Storm

‘Let the little children come to Me, and do not hinder them! For the kingdom of heaven belongs to such as these.’ (Christ)

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Girls in front of a mosque in Mumbai.

This week has been heartwrenching, but also eye-opening and fun. It started with a three day training led by Ash Perrin from the Flying Seagull Project. It ended with a masterpiece film, Capernaum, directed by Nadine Labaki and starring syrian refugee Zain Al Rafeea. The voices that echoed throughout the week, however, were the voices of children.

Children in refugee camps. Children running away from authority. Children making their own justice. Angry, sad, hungry, tired, alone children, who have lost so much and yet still find the strength to take care of each other. Like Zain (Capernaum) helping his sister hide her period from her mother, since the blood stain meant she was ready for marriage, at eleven. Or how Zain took care of an infant whose mother had been arrested due to illegal immigration.

Oh, child of the past, where are thou now? What deserts are you wandering through? Who feeds you and gives you drink? Who tells you bedtime stories and gives you shelter? For I have sheltered you in the depths of my heart and people have told me to leave you there. I added more and more layers of wood and brick and your voice became like a distant whisper.

‘Be more mature.’, ‘You have to drop the silliness.’, ‘You’d be so pretty with some makeup on.’, ‘It’s time you got a real job.’, ‘You’ve been in school long enough.’, ‘Stop running after princes and fairy tales.’, they said, sometimes even my family, although I know they meant well. But this week something changed. I was allowed to play. Actually I was told to be sillier, goofier, wilder! Improv for me is usually a place to play and be free, but the Flying Seagull Project (FSP) training was much more than that.

FSP have brought smiles to thousands of refugee and underprivileged children. Dressed up as figments of our imagination, Ash and his crew believe that childhood is a right that everyone should have. They bring games, songs and magic to children all around the world to help them play again. After training with FPS I believe that us grown ups can also learn a thing or two about the joy of being daft.  

Oh, how the tables have turned! Grown ups teaching children to play and children teaching grown ups to raise their young. But we need this, because in order to clean and bandage the wounds of our Earth, we need grown ups to be childlike and humble, while children need to be heard and taken seriously.

So if you have reached the end of this article, take a moment to think. How can you be a pebble in this stormy sea we live in today? Your ripples might seem swallowed by the waves, but they are never lost. The Flying Seagull Project (and I :D) will bring hope, courage and smiles to children. Capernaum and other similar films will help fight child neglect. How can your gifts be used to bring a voice to children…and not only the ones out there, but also the one inside your soul?    

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