Chasing the Light, Essays

Inocentii

innocents

Scène du massacre des Innocents by Léon Cogniet

Metafore inspirate de pictura Scène du massacre des Innocents de Léon Cogniet:

Femeie, nu te teme de privirea sura a pictorilor tai. Te-am imbracat in haine de roaba si te-am lasat desculta. Genunchii tai ingramaditi de zidul rece s-au invinetit de spaima si de frig. Iata, glasurile mamelor au devenit stravezii. Doar umbra lor mai suspina prin crapaturile pamantului. Bratele lor au amortit cu sugarii prinsi de piept. Bataia inimii lor a devenit una cu murmurul pruncilor.

Nu te teme, mama, nu te vom pari purtatorilor de sabii. Ascutisul lor s-a tocit de sange nevinovat. Slobozeste glasul pruncului tau si lasa-l sa vorbeasca. Gangureste micutule om, glasul tau se va adanci in sufletele oamenilor. Osanditorii tai s-au pierdut in arsita desertului. Glasul celor ce striga in pustie s-a stins de sete, dar in curand vor avea iar apa. Obrajii lor s-au uscat de lacrimi, iar buzele lor au sangerat de rugaciune. Scoala-te din intunericul fricii si indrazneste, mama! Fiul tau va fi viu!

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Chasing the Light, Flash Fiction, Stories

A Step in the Dark

This piece was inspired by the following painting.

'In Manus Tuas, Domine' Briton Riviere (1879) Manchester Art Gallery

‘In Manus Tuas, Domine’ by Briton Riviere (1879)

The horse’s hooves trembled on the misty rocks. Their sheen bolted in crackling sounds as the white beast slid on the frost covered earth. 

‘Quiet Edmund!’ the knight on its back whispered.

His armour was untouched, with the emblem of a double headed eagle on his chest. His eyes were weary and talked of nights of restless contemplation. A blunt sword served him as a cross, blessing the dark chasm that opened at his feet. 

Three bloodhounds followed their master with reluctant whimpers. Their tense, muscular bodies urged the man to retreat from his imminent fate. The knight spurred the horse’s sore flanks. His breath stopped in his chest as his left arm lifted his father’s heater shield.  

In a loud cry he entered the dark cavern of twisted trees and thorn bushes. A pair of fiery eyes glimmered in the belly of the chasm. The hounds howled but dared not follow in their master’s steps. The breath of fire pierced the knight’s pale skin, as he looked into the eyes of the Vasan dragon.

The sword was flung with the precision of an arrow into the creature’s scaly heart. Its dark grey head crushed the ash covered trees around it. The rider slid off his horse, under the weight of his burning armour. The horse bolted into the morning light as the knight whispered his forgiveness. 

With his last breath, the knight took off his helmet to behold the beauty that emerged from the ashes. A diaphanous nymph crawled from underneath the dragon’s pitch black claws. She ran to her saviour with eerie footsteps and gave him a kiss as his soul departed his chest. 

‘May our love be renewed when the sun will set over this world,’ she whispered and walked out of the darkness in silence.

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Chasing the Light, Chasing the Light Poetry, Poetry

The Invisible King

Light, light of the heavens above,
Where shinest thou, we are bare of love.
Light that fillest the earth,
Invisible king of wisdom, give birth
To hearts that will lead us on the path
Which shows a calling we had before wrath,

Darkness approaches but we are aflame,
Hiding our voices in the howlin rain,
Our minds bring words to search for your face,
But our hearts sculpt your likeness in the hidden place
You are forever silent but we know how you speak,
Holding the keys to the kingdom we seek.

(From Voice Mountain and Chasing the Light)

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Chasing the Light, Flash Fiction, Stories

Murmur

A writing exercise done during a Bath Writers: Beyond the Margins meeting…

Someone let the cat out in the rain. Or did it leave by itself? Doing what most people at the Broken Institute could not do. The cat stepped reluctantly onto the wet grass. Its white persian fur was covered in hard dents of rain. It shivered, but stepped forward.

Soon the windows of the building were filled with faces. Porcelain faces of people wrung with regret. Their hands flattened against the glass. One red haired lady mouthed the word ‘Murmur’. She was dressed in her lavender nightgown at four in the afternoon. ‘Come back!’ she whispered.

Her eyes were swollen from the tears she had cried in the morning. But Murmur had comforted her then. The cat would come to each room, to be stroked. It would start with her, Lorelei, and then walk to each of her neighbours. From morning till dusk Murmur was the sole comforter. It would hear each sigh, and wipe even the smallest tear away. It would listen to stories of woe, of lost children, of burnt down houses or harsh words, spoken at a wrong time.

At night, Murmur would rest by the fireplace, where it could lay aside the worries of the day. But now someone had let the cat out. Or maybe it left by itself. Maybe it thought people could comfort each other. Or at least step out into the rain.

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Chasing the Light, Essays, Stories, Thoughts About Life

The Songs of Birds

magnolia

God gave the sweetest melody to the smallest of birds. A cluster of goldcrests fly from branch to branch. Their little tails shake with anticipation, while their beaks are picking at the sweet flowers. Ah and the tree, a magnificent giant covered in ivy! I can’t even see its trunk or begin to decide what family of trees it belongs to. It stands there, with its crooked branches pleading to the heavens. Covered in parasitic veins and leaves, it breathes heavily. The bark bleeds under the tight grip of the ivy, but it still finds love for the little creatures that play amongst its withered forms.

The tree reminds me of a man, whose once rich possessions have succumbed to decay and misfortune. His status, albeit stained by wretched gossip, strains to stay afloat. He sits on a chest in the middle of his once grand, now empty, ballroom. His eyes close with delight as the soft voices of songs once sung there caress his soul. ‘I have lost my worldly glory.’ he whispers. ‘I have seen the cruelty of man at its peak and have tasted the bitterness of poisonous lips!’

‘Alas’, he sighs, ‘But I cannot forget the beauty of man’s soul when he loves. And when one loves, one sings! I shall have one last ball here, with the last of my earthly possessions. Let the grandest singers and musicians come and share their tunes! And after everyone has heard their songs and got their fill of gladness, I shall go into the world happy. Poor in my attire, but rich in my heart.’

Such is this tree as it listens to the goldcrests and black birds nesting in its wounds. For this tree is wiser than me. It bears its pain with patience, listening for what rings true and lets it rest on its shoulders. It does not shake the winged messengers away, but rejoices in their gifts. The tree knows that its roots are deep inside the earth and that the ivy is tight around its neck. It also knows that the songs of birds speak of a world it cannot yet see, but whose beauty and truth bring a promise of freedom.

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Chasing the Light, Thoughts About Life

Pebbles in the Storm

‘Let the little children come to Me, and do not hinder them! For the kingdom of heaven belongs to such as these.’ (Christ)

girls

Girls in front of a mosque in Mumbai.

This week has been heartwrenching, but also eye-opening and fun. It started with a three day training led by Ash Perrin from the Flying Seagull Project. It ended with a masterpiece film, Capernaum, directed by Nadine Labaki and starring syrian refugee Zain Al Rafeea. The voices that echoed throughout the week, however, were the voices of children.

Children in refugee camps. Children running away from authority. Children making their own justice. Angry, sad, hungry, tired, alone children, who have lost so much and yet still find the strength to take care of each other. Like Zain (Capernaum) helping his sister hide her period from her mother, since the blood stain meant she was ready for marriage, at eleven. Or how Zain took care of an infant whose mother had been arrested due to illegal immigration.

Oh, child of the past, where are thou now? What deserts are you wandering through? Who feeds you and gives you drink? Who tells you bedtime stories and gives you shelter? For I have sheltered you in the depths of my heart and people have told me to leave you there. I added more and more layers of wood and brick and your voice became like a distant whisper.

‘Be more mature.’, ‘You have to drop the silliness.’, ‘You’d be so pretty with some makeup on.’, ‘It’s time you got a real job.’, ‘You’ve been in school long enough.’, ‘Stop running after princes and fairy tales.’, they said, sometimes even my family, although I know they meant well. But this week something changed. I was allowed to play. Actually I was told to be sillier, goofier, wilder! Improv for me is usually a place to play and be free, but the Flying Seagull Project (FSP) training was much more than that.

FSP have brought smiles to thousands of refugee and underprivileged children. Dressed up as figments of our imagination, Ash and his crew believe that childhood is a right that everyone should have. They bring games, songs and magic to children all around the world to help them play again. After training with FPS I believe that us grown ups can also learn a thing or two about the joy of being daft.  

Oh, how the tables have turned! Grown ups teaching children to play and children teaching grown ups to raise their young. But we need this, because in order to clean and bandage the wounds of our Earth, we need grown ups to be childlike and humble, while children need to be heard and taken seriously.

So if you have reached the end of this article, take a moment to think. How can you be a pebble in this stormy sea we live in today? Your ripples might seem swallowed by the waves, but they are never lost. The Flying Seagull Project (and I :D) will bring hope, courage and smiles to children. Capernaum and other similar films will help fight child neglect. How can your gifts be used to bring a voice to children…and not only the ones out there, but also the one inside your soul?    

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